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Post by TheWallsScreamedPoetry on Oct 5, 2005 11:45:07 GMT
THE DOORS BREAK ON THROUGH TO THE CITY OF BROTHERLY LOVE  DISC ONE Approximately 76:14 Total Time
THE DOORS: LIVE IN PHILADELPHIA
Disc 1
1. Announcer “Sit Down”
2. Tuning
3. “Roadhouse Blues”
4. “Break On Through (To The Other Side)”
5. “Back Door Man/Love Hides”
6. “Ship Of Fools”
7. “Universal Mind”
8. “When The Music’s Over”
9. “Mystery Train”
10. “Wake Up!”
11. “Light My Fire”
Disc 2
1. The Concert Continues
2. “Maggie M’Gill”
3. Roadhouse Blues (Reprise)
4. “Been Down So Long/Rock Me Baby”
5. The Music Capital Of The World, Philadelphia
6. “Carol”
7. “Soul Kitchen”
   Inspired Philadelphia Concert Captures The Band On Its Last Tour, Available From Rhino Handmade November 29
LOS ANGELES — Mr. Mojo was indeed rising when The Doors returned to the road in 1970 after a year plagued by concert cancellations stemming from controversial charges of lewd, indecent and drunken behavior from a March 1969 show in Miami. The Doors had just completed recording the astonishing Morrison Hotel when they launched a tour in April 1970 in Boston. Back on stage for what would be the band’s final tour before singer Jim Morrison’s death the following year, the band was dialed in and at their blistering best. Rhino Handmade Recordings captures one of the highlights from that spring tour with THE DOORS: LIVE IN PHILADELPHIA. Featuring the complete show recorded May 1, 1970 at the Spectrum, the two-disc set is available November 29 at www.rhinohandmade.com and select retail outlets for a suggested price of $29.98.
The evening began with the local fire marshal telling fans to return to their seats and clear the aisles or the show would be cancelled. When The Doors – Morrison, keyboardist Ray Manzarek, guitarist John Densmore and guitarist Robby Krieger – finally took to the stage, the quartet unleashed a stomping rendition of “Roadhouse Blues” from Morrison Hotel. The Philadelphia show found The Doors balancing the band’s mystical explorations with gritty blues and includes the band’s cover of Howlin’ Wolf’s “Back Door Man,” their own hits, “Light My Fire” and “Break On Through (To The Other Side)” along with epic musical voyages through “When The Music’s Over” and Elvis Presley’s “Mystery Train.”
Engineer Bruce Botnick recorded several shows – including the Philadelphia concert - on multi-track tape from The Doors’ 1970 tour for the Absolutely Live album. The superior quality of the original tape reflects Botnick’s and his team’s attention to sonic detail. Botnick also mixed and mastered THE DOORS: LIVE IN PHILADELPHIA. All tracks on LIVE IN PHILADELPHIA are previously unreleased.
The album’s liner notes vividly set the scene at the Spectrum and include recollections of the show by all three surviving band members. “That was where Doctor J [Julius Erving] played with the Philadelphia 76ers,” says Manzarek of the Spectrum, with a note of awe. “We were out there on the court – it was like the 76ers and the Lakers, but we were all on each other’s side. It was us and Philadelphia. And Philadelphia is a great, great town for rock and roll – one of the best in the country – not to mention cheese steak, which I had the next night.”
“We didn’t have monitors and the mains were pointed away from us,” Krieger recalls. “I couldn’t hear a damn thing. I felt like I was on acid. But I felt we played pretty well.”
“Jim was in good spirits,” notes Densmore. “By that I mean he was in that delicate balance where he had a buzz – which took the edge off his nerves – but wasn’t too intoxicated.”
Good to see a date finalised but still disturbing that its in the hands of those idiots Rhino....
One nice touch though is the price $30 for a double disc set...nice one....and its available in a limited way from retail outlets.....a bit of that humble pie that I spoke about a couple of years ago comes to mind.....I can almost taste it! 
Well done BMA and lets hope the days of ripping off the fans and shite service are a thing of the past. |
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Post by darkstar on Jan 5, 2006 12:18:03 GMT
Plan 9 (Record Store) in Richmond, Virginia Reviews Jnauary 5 2006 In Tune Plan 9 reviews "Live In Philadelphia" (The Doors) Doors: "Live In Philadelphia" Review by John Benson Over three decades have passed since Jim Morrison last woke up in the morning and had himself a beer. Yet fans - many of whom weren't born when the Lizard King checked out - continue to let it roll, baby, roll with The Doors. Unlike classic rocker Jimi Hendrix, whose catalog seems to grow every year with a rare concert recording (more than likely an oft bootlegged album) getting an official release, The Doors' library apparently isn't as vast, with very few shows of quality existing. Miraculously, that all began to change a few years ago with a couple of concerts being released to the public, including a noteworthy 1970 Detroit date. Now there's the recently discovered "Live In Philadelphia," which was recorded a few days before the Motor City show. What this double-disc 18-track concert may lack in extended setlist, it makes up for in both quality and intimacy, showcasing the magic-in-the moment concert presence Morrison provided. Unfortunately, those shows were few and far between as the often intoxicated and belligerent singer stumbled his way through concerts. As for the City of Brotherly Love show, which was recorded at The Spectrum, "Back Door Man," "When The Music's Over," "Maggie M'Gill" and "Been Down So Long" are worth the investment. Interestingly, the latter track can be found on the band's last studio album, 1971's "L.A. Woman," which never received a proper tour as Morrison died later that same year. If for no other reason than rediscovering your love of The Doors, "Live In Philadelphia" is definitely worth cracking a cold one to and, well, letting it roll all night long. www.richmond.com/music/output.aspx?Article_ID=4064024&Vertical_ID=127&tier=1&position=2 |
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Post by TheWallsScreamedPoetry on Apr 30, 2006 17:38:25 GMT
THE DOORS LIVE IN PHILADELPHIA '70
The infamous Miami incident of March 1969 created sufficient controversy to cut short the remainder of that tour. The Doors played a date or two to round out the year, but it wasn't until 1970 that they recovered their momentum. The outstanding Morrison Hotel album was in stores, and the band was riding high on a wave of potent synergy. They kicked off the new tour in Boston on April 10th.
May 1st found them at the Spectrum in Philadelphia, a venue that had a reputation for unruliness.
Ray Manzarek recalls the atmosphere that night in the liner notes to this release:
"We couldn't even begin to play until all the people were in their seats. They were all jammed up at the front—anticipating Morrison, Densmore, Krieger and Manzarek—but we couldn't take the stage until they went back to their seats and listened in an orderly fashion. Only then would the Fire Marshal allow the show to continue. His whole trip was: You have to clear the aisles. What if there's a fire? Well, the place was made of metal and concrete; what was going to burn, except for The Doors' music? So we waited until the Fire Marshal gave the OK to the MC, who said, 'Ladies and gentlemen, from Los Angeles, California, The Doors.' Immediately, everyone who'd been made to sit down stood right back up. But by then it was too late. We just burned and jammed and played our music with the whole place rushing up to the stage."
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Post by TheWallsScreamedPoetry on Mar 23, 2023 16:46:22 GMT
Setlist
1. Announcer "Sit Down"
2. Roadhouse Blues
3. Break On Through
4. Back Door Man
5. Ship Of Fools
6. Universal Mind
7. When The Music's Over
8. Mystery Train
9. Wake Up!
10. Light My Fire
11. Maggie M'Gill
12. Roadhouse Blues (reprise)
13. Been Down So Long
14. Rock Me
15. Carol
16. Soul Kitchen
(Announcer) Now wait a second. Hey, now last week, we were all out in the park. We had 25,000 people. 25,000 hippies out in the park, man. It was beautiful. Okay? Alright, now we want everything to be cool here. We want to do more concerts, and want to do more "be-ins". But man, like.. the man just says there's a couple of small rules. There's your brothers and sisters sitting in the front seats. They want to see this show too. Now, you're just gonna have to move back. Okay? Hey, man. You people are just gonna have to move back.. go back to your seats.. and sit down, man, and make aisles, or there's just no show. Alright, come on. Now, we're not trying to bullshit you man. We're trying to lay it right on the fucking line, man. Just move back to your seats. Hey, you people down here.. come on, man.. (person in crowd yells "We want the Doors!") Yeah, well we want The Doors too, man, and this is the only way we're going to get 'em. So we're either going to listen, or we ain't gonna to have it. You know what I mean? And I ain't trying to bullshit you. Come on.. give you.. give yourselves a break man, because the longer you people take, they're just.. the longer they're gonna hold the show up. And the shorter show we're gonna have. You know? Kids in front, you know, like, this isn't helping us either, you know? Like, just, you know, like, you know.. every time this happens, we're just gonna stop the show. And you're just gonna screw up all these people up here. And they're your brothers and sisters, man, just as.. just as much as they are mine.
What? The gentleman over here.. on my right.. is the manager of The Doors. And he says we.. he just said.. that The Doors don't want anybody up here. That they have enough problems, and enough troubles right now. Okay? Right. Right. And like.. like the thing is, like they're gonna wait.. an hour.. until this whole thing is clear. Now if we wait an hour.. that's just gonna cut down on the show time because we gotta be out at a certain time. So all you kids down here. You gotta go back to your seats. This is a concert, man. We'll be out in the park Sunday. But this is a concert. (crowd starts chanting "bull-shit")
You know, like.. you gotta stay there and sing man, our hair is just as long as yours.
(Bill Siddons) We really hate to be nasty, folks but we just can't start the show. The fire marshalls told us we can't start the show until you get out of the isles. So if you want to sit there until midnight, have a nice sit, but the show won't start until the area is clear. Sorry about that. I don't make the rules.
(Announcer) Alright, okay, hello? Alright, we're getting pretty close. But the only thing holding us up is just the few people back here. The people back there, if you want to talk to them, because they're the only ones holding up your good time. Just a few people down here. Every minute you kids stay here, you're cutting off their.. the playing time, and those people a good time. See, we're all ready.. Morrison and Manzarek, everybody's just standing back there just waiting for a few of these idiots down here. (crowd cheers)
Now there's one more thing.. and only one more thing.. These people.. The Doors.. as soon as you people start coming down.. they're gonna walk off the stage. It's as simple as that. That's what they are telling us. But we want to make this a concert. "Be-in's" are for the park.
(applause/tuning)
(drum/guitar intro to Roadhouse Blues)
Roadhouse Blues
Well, keep your eyes on the road, your hand upon the wheel.
Keep your eyes on the road, your hand upon the wheel.
We're goin' to the roadhouse, gonna have a real.. a good time, yeah!
Yeah, the back of the roadhouse, they got some bungalows.
Back of the roadhouse, they got some bungalows.
That's for the people.. like to go down slow.
Let it roll, baby roll.
Let it roll, baby roll.
Let it roll, baby roll.
Let it roll..
All night long.
(guitar solo)
(band settles into groove)
You gotta roll, roll roll, gotta thrill my soul.. alright.
Roll, roll, roll, gotta thrill my soul.
lamahta-cheet ka-pahga chu-conk. conk-conk-conk. uh-gotta.
gohn-ch-chu-chohn-bip. b'lahga-chu-choh-ohn.
cohn-ka-chu-gohn-gohn-joan-each-alright!
yeah.
Ashen lady.
Ashen lady.
Give up your vows.
Give up your vows.
Save our city.
Save our city.
Right now.
Well, I woke up this mornin', I got myself a beer.
Well, I woke up this mornin', I got myself a beer.
Yeah, the future's uncertain and the end is always near.
Let it roll, baby roll.
Let it roll, baby roll.
Let it roll, baby roll.
Let it roll..
All night long.
(song ends/applause)
(extended drum/organ intro to Break On Through)
Break On Through
You know the day destroys the night.
Night divides the day.
Tried to run.
Tried to hide.
Break on through.. to the other side.
Break on through.. to the other side.
Break on through.. to the other side, yeah.
Yeah, we chased our pleasures here.
Dug our treasures there.
Still recall.. time we cried.
Break on through.. to the other side.
Break on through.. to the other side.
Break on through, yeah.
Whoa, play-yeah!! Whoa!
(organ solo)
Everybody..
Loves my baby.
Everybody..
Loves my baby.
She gets..
She gets..
She gets..
She gets..
High.. yeah.
(band settles into groove)
There you sit.
All by yourself.
Everybody's dancin'.
Cannot help themselves, right.
Come on girl.
Get that groove.
You know, baby.
I like to see you move, child.
(band settles into groove)
I found an island in your arms.
Country in your eyes.
Arms that chained us. Eyes that lied.
Break on through.. to the other side.
Break on through.. to the other side.
Break on through, yeah.
ALRIGHT!
(guitar solo)
Yeah, made the scene.
Week to week. Day to day. Hour to hour.
Gate is straight.. deep and wide.
Break on through.. to the other side.
Break on through.. to the other side.
Break on through.
Break on through.
Break on through.
Break on through.
Oh yay.. way.. eh.. way.. eh.. way.. oh.. way.. woh.. eh.. eh.. eh.. woh.. yay.. yay.. oh.. ay.
(song ends/applause)
(guitar intro to Back Door Man)
Back Door Man
Oh, I am!
Yeah, a back door man.
Back door man!
Men don't know, but the.. little girls.. understand.
While all you people, now.. tryin' to sleep, I'm..
I'm out there makin' with my.. midnight creep, yeah-yeah.
Back door man.
Well, men don't know.. but the little girls.. understand.
Alright, yeah!
(guitar solo)
(band settles into extended groove)
ehhhhhh-ehhhhh-ehhh-ehhhhh-ahhhh.
ehhhhhh-ehhhhh-ehhh-ehhhhhh..uh-uh.
wehhhhh-ehhh-ehhhhhhhhhh.. uh.. uh.
uh.
ehhhhhhhh.
Love.
Love hides in the strangest places.
Love hides in familiar faces.
Love comes when you least expect it.
Love.. hides in narrow corners.. yeah.
Love comes for those who seek it.
Love hides inside the rainbow, yeah.
Love hides in molecular structures, yeah.
Love is the answer, yeah.
You men eat your dinner, eat your.. pork and beans.
I eat more chicken any man ever seen, yeah!
Back door man!
The men don't know, but the.. little girls.. understand.
Well, I'm a back door man.
Well, I'm a back door man.
Oh, baby.
I'm a back door man, yeah.
The men don't know.. but the little girls.. UNDERSTAND!
(song ends/applause)
(tuning/fans shout out requests)
(organ intro to Ship Of Fools)
Ship Of Fools
The human race was dyin' out.
No one left to scream and shout.
People walkin' on the moon.
Smog will get you pretty soon.
Everyone was hangin' out.
Yeah, hangin' up and hangin' down.
Hangin' in and holdin' fast.
Hope our little world will last.
(organ solo)
(band settles into extended groove)
Yeah, along came Mister Goodtrips..
Lookin' for a new ship.
Come up people better climb onboard.
Come on baby now.. goin' home.
Ship of fools. Ship of fools.
Ship of fools. Ship of fools.
(guitar solo)
The human race was dyin' out.
No one left to scream and shout.
Yeah, people walkin' on the moon.
Smog gonna get you pretty soon.
Ship of fools. Ship of fools.
Ship of fools. Ship of fools.
Ship of fools. Ship of fools.
Yeah, climb onboard.
Ship's gonna leave you.. way behind. Climb onboard, yeah.
Oh, ship of fools.
Ship of fools. Ship of fools.
(song ends/applause)
(tuning/crowd shouts out favorites)
(Jim starts singing Universal Mind)
Universal Mind
I was doin' time in the universal mind.
I was feelin' fine.
I was turnin' keys, I was.. settin' people free.
I was doin' alright.
Then you came along.. with a suitcase.. and a song.
Turned my.. head around.
Now I'm so alone..
Just lookin'.. for a home..
In every face I see.
I'm the.. freedom man.
I'm the.. freedom man.
I'm the.. freedom man.
I was doin' time in the.. universal mind.
I was feelin' fine.
I was turnin' keys. I was.. settin' people free.
I was doin' alright.
And then you came along.. with a suitcase.. and a song.
Turned my.. head around.
Now I'm.. so alone.
Just lookin'.. for a home..
In every face I see.
I'm the.. freedom man.
Whoa.
(organ solo)
I was doin' time.. in the universal mind.
I was feelin' fine.
I was turnin' keys. I was.. settin' people free.
I was doin' alright.
Then you.. came along.. with a suitcase.. and a song.
Turned my.. head around.
Now I'm.. so alone.
Just lookin'.. for a home..
In every face I see.
I'm the.. freedom man.
That's how lucky I am.
I'm the freedom man.
I'm the freedom.. man.
(song ends/applause)
(extended organ intro to When The Music's Over)
When The Music's Over
(Jim screams at end of intro) EHHHHHH-EHHH-EHHH-RIGHT!
When the.. music's over.
When the music's over.
When the music's over.. turn out the light, yeah.
Turn out the light, now.
Turn out the light.
Yeah.
When the music's over.
When the music's over, yeah.
When the.. music's over.. turn out the lights.
Turn out the lights.
Turn out the lights.
When the music.. is your.. only friend.
Dance on fire as.. it intends.
Music.. is your.. only friend.
Until the end.
Until the end.
Until the..
ehhhhhhhhhhhhhhh-eh-eh-eh-ehhhnd.
ehhhhhhhhhhhh-eh-eh-ehhh-ehhhhhh.
ehhhhhhhhhhhh-eh-eh-ehhhhhhhhhhh.
ehhhhhhhhhhhh-ehhh-ehhhhhh.
WAAAAAOH!
(combined organ/guitar solo)
(band settles into groove)
Cancel my subscription to the.. resurrection.
Send my credentials to the.. house of detention.
I've got some.. friends inside.
The face in the mirror won't stop, yeah.
The girl in the window won't drop.
A feast of friends.. alive she cried.
Waitin' for me.. outside.
Before I sink, yeah..
Into the.. big sleep.
I want to hear.
I want to hear.
The scream.. of the.. butterfly.
Come back, baby. Back into my arms.
We're gettin' tired of.. hangin' around, yeah.
Waitin' around with our heads to the ground.
I hear a.. very.. gentle sound.
Very near yet.. very far.
Very soft and.. very clear.
Come today, baby.
Come today, yeah.
What have they done to the Earth.
What have they done to our.. fair sister.
Ravaged and plundered.. ripped her and bit her.
Stuck her with knives in the.. side of the dawn and..
Tied her with fences and..
Dragged her down.
I hear a.. very gentle sound.
With your ear down.. to the ground.
(pause)
Ahhhhhhhhhh.
(pause)
We want the world and we want it.. (cheers)
AHHHHHHHHHHH!
(combined organ/guitar solo starts)
AHHHHH-YEAH-YEAH.
Alright!
Persian night, yeah!
See the light.. yeah!
Save us, yeah!
AHHHHHHHHHH-RIGHT!
Alright!
(solos end)
(band settles into groove)
So when the music's over.
When the music's over.
When the music's over.. turn out the lights.
Turn out the lights.
Turn out the lights.
When the music.. is your.. only friend.
Dance on fire as.. it intends.
Music.. is your.. only friend.
Until the end.
Until the end.
Until the.. end.
(song ends/applause)
(crowd shouts out request)
(bass intro to Mystery Train/continued shouting from crowd)
Mystery Train
People get ready there's a train.. a-comin'.
You don't need a ticket..
Climb onboard
Woo-woooooo.
(music starts, tempo slowly increases to full speed)
(Jim shakes maracas)
Train I ride.. sixteen coaches long.
Train I ride.. sixteen coaches long.
Well, that mean old train.. took my baby, he's gone.
Train-train.. comin' 'round the bend.
Train-train.. comin' 'round the bend.
Yeah, that mean old evil train.. took my one and only friend.
Train-train.. comin' down the line.
Train.. train.. comin' down the line.
Well, that mean old rotten train.. took the only friend of mine.
Whoa-whoa.
(combined organ/guitar solo)
Train-train.. comin' down the track.
Train-train.. comin' down the track.
Yeah, they took my baby.. and he never bring her back.
Alright.
(organ solo)
(band settles into groove)
Away.. away.. away in India.
Away in India.
Away.. away.. away.. away in India.
Away.. away.. away in India.
That's right!
Away.. away.. away.. away in India.
Away.. away.. away.. away in India.
That's right! That's right!
Away in India.
That's right!
(band settles into extended groove)
Well, I woke up this mornin' got the crossroads on my mind.
Well, I woke up this mornin' got the crossroads on my mind.
Take a walk with me.. everything will work out fine.
Well, I woke up this mornin' got the junk-man on my mind.
Well, I woke up this mornin' got the junk-man on my mind.
Take a walk with me.. and everything will work out fine.
Well, I woke up this mornin' got the H-Bomb on my mind.
Well, I woke up this mornin' got the H-Bomb on my mind.
Take a walk with me.. everything.. everything will work out fine, yeah.
(guitar solo)
Well, I woke up this mornin' got the.. crossroads on my mind.
Well, I woke up this mornin' got the.. crossroads on my mind.
Take a walk with me.. everything.. everything.. everything..
Everything.. gonna work out fine!
Woo-woooo!
(tempo slowly decreases)
Train-train.
Come and gone.
Took my baby.
Took my baby.
Took my love.
Away.
Well, I woke up this mornin', yeah.
Nothin' on my mind.
(song ends/applause)
(Jim starts reciting Wake Up)
Wake Up!
Wake up!
You can't remember where it was, had this dream stopped.
The snake was pale, gold.. glazed and shrunken.
We were afraid to touch it.
The sheets were hot, dead prisons.
And she was beside me.
Old.
She's no.
Young.
Her dark, red hair.
The soft, white skin.
Now..
Run to the mirror in the bathroom! Look!
She's coming in here.
I can't live through each slow century of her moving.
I let my cheek slide down the cool, smooth tile.
Feel the good, cold, stinging blood.
The smooth..
Hissing..
Snakes..
Of rain!
(drum crack/organ intro to Light My Fire)
Light My Fire
You know that it would be untrue.
You know that I would.. be a liar.
If I was to say to you.
Girl we couldn't get much higher.
Come on baby, light my fire.
Come on baby, light my fire.
Try to set the night on fire.
Time to hesitate is through.
No time to wallow.. in the mire.
Try now we can only lose..
And our love become a funeral pyre.
Come on baby.. light my fire.
Come on baby, light my fire.
Try to set the night on.. whoa-yeah.
Come-on..
Yeah..
(organ solo)
(guitar solo)
(band settles into groove)
(transition into final verse)
AHHHHH-suck-suck-suck-suck!
Fuck-fuck-fuck-fuck!
Yeah!
(organ turnaround)
The time to hesitate is through.
No time to wallow.. in the mire.
Try now we can only lose.
And our love become a funeral pyre.
Come on baby, light my fire, yeah.
Come on baby.. light my fire.
Try to set the night on.. FIRE.
You know that it will be untrue.
You know that I would be a liar.
If I were to say to you.
Girl we couldn't get much higher.
Come on baby, light my fire.
Come on baby, light my fire.
Try to set the night on fire.
Try to set the night on fire.
Try to set the night on fire.
Try to set the night on.. FIRE!
(drum crack/organ turnaround)
(song ends/applause)
(tuning/crowd shouts out favorites)
(extended guitar intro to Maggie M'Gill)
Maggie M'Gill
Well, Miss Maggie M'Gill.. she lived on a hill.
Her daddy got drunk and.. left her no will, so..
She went down.. down to Tangy Town.
People down there.. really like to.. get it on.
So if you're sad.. and you're.. feelin' blue.
Go out and buy a brand new.. pair of shoes and..
You go down.. down to.. Tangy Town.
The people down there.. really like to.. get it on.
Yeah.. alright.
(guitar solo)
Illegitimate son of a rock and roll star.
Illegitimate son of a rock and roll star.
Mom met dad in the back of a rock and roll car.
Yeah-yeah.
Well, I'm an.. old blues.. man.
And I think.. that you understand.
I been.. singin' the blues.. ever since the world began.
Yes, I have.. yeah.
(band settles into groove)
Maggie, Maggie.. Maggie M'Gill.
Roll-a-roll on.. Maggie M'Gill.
Roll-a-roll-on.. Maggie M'Gill.
Maggie, Maggie.. Maggie M'Gill.
Roll-a-roll-on.. Maggie M'Gill.
Roll-a-roll-on.. Maggie M'Gill.
Maggie.. Maggie.. Maggie M'Gill.
Roll-a-roll-on.. Maggie M'Gill.
Roll, Roll.. Roll on now.
Roll-roll now, Maggie M'Gill.
Roll.. yeah. Roll, ya-roll.
Roll.. Maggie M'Gill.
(song ends/applause)
(guitar improv)
(guitar intro to Roadhouse Blues (reprise))
Roadhouse Blues (reprise)
Well, keep your eyes on the road, your hand upon the wheel.
Keep your eyes on the road, your hand upon the wheel.
Goin' to the roadhouse.. gonna have a real.. a good time.
Well, I woke up this morning.. I got myself a beer.
Woke up this morning.. I got myself a beer.
Future's uncertain and the end is always near.
Let it roll.. baby roll.
Let it roll.. baby roll.
Let it roll.. baby roll.
Let it roll..
Whoa, yeah.
(band settles into groove)
Yeah.
(transitions into guitar intro of Been Down So Long)
Been Down So Long
Well, I been down so god damn long..
That it looks like up to me.
Well, I been down so god damn long..
That it looks like up to me, yeah.
Well, won't some of you people..
Come on.. and set me free.
Well, warden-warden-warden..
Won't you break your lock and key.
I said warden-warden-warden..
Won't you break your lock and key.
Well, come along here mister..
Won't you come on.. and set me free.
Alright.
(organ solo)
Well, I said baby-baby-baby..
Won't you give your love to me..
Well, I said baby-baby-baby..
Won't you give your love to me.
Won't you come along here sister.
Come on.. give head to me, yeah-right.
(organ solo #2)
Well.. bring it down.. softer, babe.
I said softer, girl.
Let me get inside..
Let me take a ride, yeah.
Alright.
Softer.. babe.
Get way on down.
Way on down.
Way on down, babe.
Get softer, babe.
Get softer, babe.
I'm gettin' softer.
You got to bring it down.
Open wide, momma.
Let me take a ride.
You got to get on down.
You got to open wide, right.
You got to be my baby.
Be my girl tonight, alright.. yeah-yeah.
Whoa-right.
Whoa-right.
Soft.
Soft, yeah.
I said softer, babe.
I said bring it down.
I said..
Let me come inside, alright.
Let me come inside.
Let me take a ride, yeah.
Yeah-yeah.
Oh, you feel so wet, alright.
Yeah, you feel so good, alright.
Let me slide inside, yeah.
Yeah.
Whoa, slippin' and slidin', baby.
Creepin' and hidin', baby.
Let me come inside, yeah. Alright.
(band changes to more powerful, up-tempo beat)
(Jim starts singing Rock Me)
Rock Me
Want you to rock me, baby.
Rock me all night long.
Whoa, rock me, baby.
Rock me all night long.
Want you to rock me, darlin'..
Until I sing my song.
(organ solo)
Sun go down..
Moon begin to rise.. yeah.
Well, see the sun go down..
Moon begin to rise.
Want you to rock me, baby.
Let me come inside.
Yeah, right!
(song ends/applause)
(Jim talks to crowd)
Alright we've got time for one more. Let's do it one more time (crowd shouts out requests)
Alright, let's here ya Philadelphia! (cheers)
Yeah.
The music capital of the world, Philadelphia. (cheers)
(guitar intro to Carol)
Carol
Oh Carol!
Don't let me steal your heart away.
Oh, I love you little darlin'.. take me all night and day.
Heat cooled down.. motor cooled down..
I can hear that highway sound.. Carol!
(guitar solo starts)
Whoa Carol.. Uh.. Uh, Ah.. Whaaaaaa-yeah!
(guitar solo continues)
Heat cooled down.. motor cooled down..
I can hear that.. highway sound.
Whoa, yeah!
Love you little momma, take me all night and day.
(combined organ/guitar solo starts)
Uh.
Oh, Carol.
Whaaa!
(song transitions into organ intro of Soul Kitchen)
Soul Kitchen
Well, the cop said it's time to close.. now.
Guess we better go.. now.
Really like to stay here.. all night. (cheers)
Cars crawl past all stuffed with eyes.
Streetlight shed their hollow glow.
Your brain seems bruised with.. numb surprise.
Still one place to go.
Still one place to go.
Let me sleep all night.. in your.. soul kitchen.
Warm my mind to your.. gentle stove.
Turn me out an I'll.. wander, babe.
Stumblin' in the neon..
Whoa, yeah!
(guitar solo)
(band settles into groove)
Your fingers weave quick.. minarets.
Speakin'.. secret.. alphabets. I..
Light another.. cigarette.
Learn to forget.
Learn to forget.
Learn to forget.
Learn.. to forget.
Let me sleep all night.. in your.. soul kitchen.
Warm my mind to your.. gentle stove.
Turn me out and I'll wander, babe.
Stumblin' in the neon..
Whoh.. ahhhhh!!
(organ solo)
(band settles into groove)
Now I lay me down to sleep.
Pray the lord my soul to keep.
If I die before I wake.
Pray the lord my soul to take.
Take me, baby.. all night long.
Won't you hear my song.
Love you all night long.
(band settles into groove)
Well, the clock said it's time to close.. now.
Know we have to go.. now.
Really wanna stay here.. all night.
All night.
All night!
(song ends/applause)
Thank you! Thank you!
(Announcer) The Doors. The Doors. We're out of time. Thank you very much. We are out of time.
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