Post by darkstar2 on Nov 10, 2008 22:55:02 GMT
Live At The Matrix Club San Francisco 1967 CA Nov 10 2008
This was the most controversial Doors release EVER!
in 2008 The Doors announced they were releasing The Matrix Tapes from the master reels.
Jeff Jampot the Muppet in charge said exactly that.
One Problem. The Doors did not own the master Reels.
How do I know this? Because several of the owners mates were members of the Lizard Lounge and called Jampot out as a liar.
He twisted himself every way but loose as he tried to walkback what he had claimed but was crucified by the tape trader guys.
At one stage he exploded in petulance and threatened to shut the Lizard Lounge down if they did not stop calling him a liar.
They called his bluff as the forum was owned by the 3 Doors and they would likely have put a stop to that.
The lies continued for months about how this was different to the bootleg which came from the owner sending Rothchild a low fi 3rd Gen copy so he could appraise it.
The owner did not send the master as he did not trust The Doors. Which was pretty sensible.
In the end the high priced double album was exactly the same as the boot.
A very slight sound difference but basically an exact copy of the boots such as The Matrix Tapes which was the best bootleg.
I was dumb enough to fall for it but never trusted those crooks again and never will.
Top Forty Charts.com
Nov 10 2008
The Doors - Live At The Matrix 1967 - San Francisco Shows
share
LOS ANGELES (Top40 Charts/ Rhino Records) - The two-Disc Collection includes unreleased recordings of the band playing a small club in San Francisco just weeks before 'Light My Fire' made them stars.
Rhino and Bright Midnight Archives present 'Live At The Matrix 1967?, the latest instalment in The Doors' acclaimed series of archival concert releases.
This two-disc addition to the band's live canon contains two club shows witnessed by few but bootlegged by many. Restored and carefully mastered from first-generation tapes acquired by Elektra Records and The Doors 40 years ago, these historic shows never sounded better. The collection, featuring cover art by legendary San Francisco artist Stanley Mouse, will be available November 18, 2008 at all retail outlets, including www.rhino.co.uk.
Where the previous three Bright Midnight Archives releases documented The Doors' final tour in 1970, 'Live At The Matrix 1967? rewinds to the band's early days for a pair of shows at a San Francisco club in March 1967.
Only a handful of people showed up, so Jim Morrison, John Densmore, Robby Krieger, and Ray Manzarek played for each other, exploring song arrangements and jamming on a few blues favourites. Ironically, only a few weeks after the Matrix shows, the band's second single, 'Light My Fire,' would make them famous, selling a million copies on its way to topping the chart during The Summer of Love.
'It was early 1967 and The Doors were about to enter the consciousness of the nation. And this is the way it sounded,' Manzarek writes in the album's liner notes.
In spite of the empty room, the band is fully engaged, using the time to give 'The End' and 'Back Door Man' extra lyrics and extended sections. 'This is probably the closest we've come to a true document of The Doors without constraints,' says Bruce Botnick, the album's producer and the band's long-time co-producer and engineer.
The band performs much of its self-titled debut on the first disc, including 'Soul Kitchen,' 'Alabama Song (Whisky Bar),' and the first single, 'Break On Through (To The Other Side).'
Along with those early originals, the band indulges its love of the blues with Bo Diddley's 'Who Do You Love,' Muddy Waters' 'I'm A King Bee,' and Allen Toussaint's 'Get Out Of My Life, Woman,' which has never appeared on any previous Doors albums.
The second disc offers a glimpse of the band mapping out its future, working out early versions of several songs from upcoming albums: 'Crawling King Snake' (LA Woman); 'Summer's Almost Gone' (Waiting For The Sun); and nearly half of the songs from The Doors' second album, 'Strange Days'.
'Live At The Matrix 1967? Track Listing:
Disc One
1. Break On Through (To The Other Side)
2. Soul Kitchen
3. Money
4. The Crystal Ship
5. Twentieth Century Fox
6. I'm A King Bee
7. Alabama Song (Whisky Bar)
8. Summer's Almost Gone
9. Light My Fire
10. Get Out Of My Life Woman
11. Back Door Man
12. Who Do You Love
13. The End
Disc Two
1. Unhappy Girl
2. Moonlight Drive
3. Woman Is A Devil/Rock Me
4. People Are Strange
5. Close To You
6. My Eyes Have Seen You
7. Crawling King Snake
8. I Can't See Your Face In My Mind
9. Summertime
10. When The Music's Over
11. Gloria
top40-charts.com/news/Oldies/The-....hows/44126.html
This was the most controversial Doors release EVER!
in 2008 The Doors announced they were releasing The Matrix Tapes from the master reels.
Jeff Jampot the Muppet in charge said exactly that.
One Problem. The Doors did not own the master Reels.
How do I know this? Because several of the owners mates were members of the Lizard Lounge and called Jampot out as a liar.
He twisted himself every way but loose as he tried to walkback what he had claimed but was crucified by the tape trader guys.
At one stage he exploded in petulance and threatened to shut the Lizard Lounge down if they did not stop calling him a liar.
They called his bluff as the forum was owned by the 3 Doors and they would likely have put a stop to that.
The lies continued for months about how this was different to the bootleg which came from the owner sending Rothchild a low fi 3rd Gen copy so he could appraise it.
The owner did not send the master as he did not trust The Doors. Which was pretty sensible.
In the end the high priced double album was exactly the same as the boot.
A very slight sound difference but basically an exact copy of the boots such as The Matrix Tapes which was the best bootleg.
I was dumb enough to fall for it but never trusted those crooks again and never will.
Top Forty Charts.com
Nov 10 2008
The Doors - Live At The Matrix 1967 - San Francisco Shows
share
LOS ANGELES (Top40 Charts/ Rhino Records) - The two-Disc Collection includes unreleased recordings of the band playing a small club in San Francisco just weeks before 'Light My Fire' made them stars.
Rhino and Bright Midnight Archives present 'Live At The Matrix 1967?, the latest instalment in The Doors' acclaimed series of archival concert releases.
This two-disc addition to the band's live canon contains two club shows witnessed by few but bootlegged by many. Restored and carefully mastered from first-generation tapes acquired by Elektra Records and The Doors 40 years ago, these historic shows never sounded better. The collection, featuring cover art by legendary San Francisco artist Stanley Mouse, will be available November 18, 2008 at all retail outlets, including www.rhino.co.uk.
Where the previous three Bright Midnight Archives releases documented The Doors' final tour in 1970, 'Live At The Matrix 1967? rewinds to the band's early days for a pair of shows at a San Francisco club in March 1967.
Only a handful of people showed up, so Jim Morrison, John Densmore, Robby Krieger, and Ray Manzarek played for each other, exploring song arrangements and jamming on a few blues favourites. Ironically, only a few weeks after the Matrix shows, the band's second single, 'Light My Fire,' would make them famous, selling a million copies on its way to topping the chart during The Summer of Love.
'It was early 1967 and The Doors were about to enter the consciousness of the nation. And this is the way it sounded,' Manzarek writes in the album's liner notes.
In spite of the empty room, the band is fully engaged, using the time to give 'The End' and 'Back Door Man' extra lyrics and extended sections. 'This is probably the closest we've come to a true document of The Doors without constraints,' says Bruce Botnick, the album's producer and the band's long-time co-producer and engineer.
The band performs much of its self-titled debut on the first disc, including 'Soul Kitchen,' 'Alabama Song (Whisky Bar),' and the first single, 'Break On Through (To The Other Side).'
Along with those early originals, the band indulges its love of the blues with Bo Diddley's 'Who Do You Love,' Muddy Waters' 'I'm A King Bee,' and Allen Toussaint's 'Get Out Of My Life, Woman,' which has never appeared on any previous Doors albums.
The second disc offers a glimpse of the band mapping out its future, working out early versions of several songs from upcoming albums: 'Crawling King Snake' (LA Woman); 'Summer's Almost Gone' (Waiting For The Sun); and nearly half of the songs from The Doors' second album, 'Strange Days'.
'Live At The Matrix 1967? Track Listing:
Disc One
1. Break On Through (To The Other Side)
2. Soul Kitchen
3. Money
4. The Crystal Ship
5. Twentieth Century Fox
6. I'm A King Bee
7. Alabama Song (Whisky Bar)
8. Summer's Almost Gone
9. Light My Fire
10. Get Out Of My Life Woman
11. Back Door Man
12. Who Do You Love
13. The End
Disc Two
1. Unhappy Girl
2. Moonlight Drive
3. Woman Is A Devil/Rock Me
4. People Are Strange
5. Close To You
6. My Eyes Have Seen You
7. Crawling King Snake
8. I Can't See Your Face In My Mind
9. Summertime
10. When The Music's Over
11. Gloria
top40-charts.com/news/Oldies/The-....hows/44126.html
