|
Post by jimsbabe on May 5, 2008 3:44:20 GMT
I am in awe of the revelations in these notes, i have cried and cried for this tormented soul, who just wanted to be himself in this LIFE, words cannot express the deep soul wretching that has overcome me in the last few months of reading and revisiting the doors and Jim's life, I was but a little girl when jim was a teen, I grew up listening to him and never stopeed I have always felt a connection to the person but years later to the soul of this man, thank you for all the great work here on this site true and dedicated to the real stuff that makes this world wonderful and mysterious, blessed be all who have contributed to this posting site, may jim smile from his post at your dedication and understanding
|
|
|
Post by sage on May 21, 2008 13:48:54 GMT
Yes, I am in agreement with everyone else. I was extremely thankful to come across this forum with these wonderful postings. It's not everyday that you get a chance to read new poetry from Jim. But I do have just one question......does anyone know if these poems will ever get published world wide? I'm sure that many people would love to have their own copy of these amazing words from such an enigmatic man.
|
|
|
Post by jym on Jul 20, 2008 4:19:27 GMT
Wilderness & The American Night, as well as The Lords & The New Creatures have all been published.
Just in case you visit again
|
|
|
Post by TheWallsScreamedPoetry on Jun 17, 2011 10:35:00 GMT
#118blood is seal in it’s redness The rainbow is seal in absence of blood The comic strip minus captions a paper blowing in a street a foreign movie take a walk down the long canal Invention of the Kingdom City of Gold Platforms, galleries ministers, snakes miserable captains ancient searching numbers---------- sinks stones, stalwart friends children’s clown houses waiting for the sand storm of straight junk jewels #119Are you Jewish? ----- He’s head goes down The horse swims Transmigration of souls it’s easy, in a few hundred years it’s all over like the woman who forgets the pain of childbirth dance wicked ministers assault yourself w/ tongues Brothel chatter whore’s piano want the suddenness of a deep dream want waking to slide into sleep The nightmare that groans greater Stronger in the sudden night There is no love & no Language. The mute dreams of sudden ghosts are you trying to shock us w/ your trauma p120Sudden attack Stabbed & hacked but no pain no death Zone of silence Sudden powered mute strangeness & awareness most awkward to the mind alive w/ love & laughter & memory sweet of kinder times when we spoke & words had soft form by a fire  Page #121 Christmas towers The elephant farts & I fall on my arch-type This is no time for sense of humor Mother's got a tumor It's only a little rumor now but wait until summer Almost, but not quite enough to put one on a bummer Stuck my thumb in pulled out a sewer sore loserThe whale is nothing on the beach cut the heart out fry it, eat it
|
|
|
Post by TheWallsScreamedPoetry on Jun 18, 2011 9:04:49 GMT
 Page #122 of Paris Journal. I'll give you a hint I've got a little gold bracelet w/ wooden shoes on it I was only 11 years old at the time 2 cases of scotch They found him on the floor Class people I know I wanna know the name of it What does it look like?
as dark as she was dawn
Leave the <Please do not disturb> out#123moving into The new house and construct my kingdom out of the 1st dry leaf of morning, and out of The odor of the burning log, & the boat which the young husband poles solemnly his young wife cradling The infant in here arms on the floor of the boat as they cross a weird channel after the war A man rakes leaves into a heap in his yard, a pile, & leans on his rake & burns them utterly. The fragrance fills the forest children pause & heed the smell, which will become nostalgia in several years an appearance of the devil on a Venice canal. Running, I saw a Satan or Satyr, moving beside me, a color’d fleshy shadow of my secret mind. Running, Knowing, not knowing crying
|
|
|
Post by TheWallsScreamedPoetry on Jun 18, 2011 11:37:12 GMT
Page #114
What do you w/a dead man's things?
I'd hate to think I ever made a girl cry
Snake in a shoe-box beautiful rattler Older boys cabin We'll all go down in history
Screen Test
I like this bit. Good question for his band mates and all the rest of us who worship at this particular altar.
|
|
|
Post by TheWallsScreamedPoetry on Jun 19, 2011 8:04:30 GMT
#124
A long & greasy look like The country he claimed & married 1st Americus land of dream-death desire holding sway over many voyages
(“don’t come down here, baby these fools are shooting people” )
I could trace the smell of gun fire on the phone you were my partner
moods beneath, & weathers that were measured in her death & slow & time-filled fallen sparrows sad arrows our sorrow
Branch out into the history of the vine This is my last time round this old vale
#125
They left a dead babe on the Queen’s doorstep
argue w/ breath mice while I cry Midnight
it must come like dream sperm uncalled From the center Borderlands
it must come unbidden like the dawn soft haste no hurry hairs curl
The phone rings
We create the dawn
#126
cats on drugs, w/ silky ambient hair & eyes
This is the room where all things lie
They don’t like beasts in the leaves The world outside
& people move slyly Thru dark bright Towers
An ocean admits us
Bitten dreams don’t argue w/ the moon
breasts beasts floors & flowers must be scrubbed clean
For the cunt to lie on
Then we lie upon her & go rigid & formless into linoleum
#127
Moon car
a small room like an opium bed
a fictive brothel
showers, bathrooms Towels, & mirrors
He pays an ancient oriental & quickly enters
ah! crash wandering in the fast noon an old bronze hand
The sun guns of Rome
gracious as ghosts The sea insects
|
|
|
Post by TheWallsScreamedPoetry on Jun 20, 2011 9:26:41 GMT
#128
This is my forest a sea of wines This gaggle of vision is my flame These trees are men The engineers And a tribe of farmers on their Sunday off
Gods --- the directors Camera’s, greek Centaurs on the boom, sliding w/ silent mobile grace
Toward me- a leaping clown In the great suns Eye
Grand dangers there in curved thigh The avenging fingers- lord
P# 129
Dancing & thrashing the reptile summer They'll be here long before we're gone Sunning themselves on the marble porch Raging w/in against the slow heat Of an invaded Town
The Kingdom is ours
Awake in a noon of tender flesh Can I come inside you? May I come in you? How did this happen? I’ve been so used to other girls,
you came home in that black car yes black, & met me, you came home late
How can this be? I ask, I remember well & now you say I threw silver metal dust
Are these beings? yes, How many? why we don’t know. A strong man should be aware.
|
|
|
Post by TheWallsScreamedPoetry on Jul 22, 2011 8:22:29 GMT
#130Who knows what animal loves you while you dream? My hell will be your hell My earth, your earth My heaven, yours too The enlightened child struggles to be born How easilywe are taught to obey Doomed to wander in charmed circles Beggar fish & suppliant mouse. Is man wrong to have left the rivers? Memories are knots of growth & desire Power = delight in being. #131Come for all the world lies hushed & fallen green ships dangle on the surface of Ocean, & sky birds glide smugly among The planes Gaunt crippled houses strangle the cliffs In the East, in the cities a hum of life starting now come "Oh God", she cried "I never knew what it meant to be real. I thought it was all a joke, a jewel. I never let the hours The sweetness, or dignity in." "Let me up to see the window. Dark riders approach in the sunset. Coming back from raiding parties. The taverns will be full of laughter, wine, and later dancing. later, dangerous knife throws (over)
|
|
|
Post by TheWallsScreamedPoetry on Jul 22, 2011 8:33:07 GMT
#132
"Antonio will be there, & that whore, Blue lady, playing cards w/ silver decks & smiling at the night. And full glasses held up high & spilled to the moon."
"I'm sad, so full of sadness."
all children mercifully flown back to the beautiful cave. The cult of progress.
mystery and fertility a god in the dark night a stranger
a nude lies in a lighted doorway on a pile of old money & papers a lamp like a lance
We were murderers We drove to the city To try our weapons
#133
pigs are beasts cows are noble flowers
you're treading in dangerous territory Don't do it! Stop him! Make him stop!
Leaving the train. Troops & whores & common people. return to the girl.
In a giant crowd. Young girls race. The Queen's Grand Tour. Lake. Sailboats moored.
Leaving the nightclub. Two beg for bread.
The Wind.
Poet of the call-girl storm.
She left a note on the bedroom door. "If I'm out, bring me To"
|
|
|
Post by TheWallsScreamedPoetry on Jul 22, 2011 8:42:03 GMT
A lot of this stuff looks like Jim rambling on while possibly drunk. I am well aware the guy was smart and used words very well but much of this stuff is pretty banal and this is probably why he gets such a bad rap. Of course we have no clue what this was meant to be. Some of the words feature arrows changing their position so obviously he was working on this as he went.
Does this make him less of a poet? Of course not. I am sure that many so called famous poets wrote stuff like this. We generally only see the finished product and don't get to see all the stuff famous poet X or Y wrote that was Godawful. All Poets write tripe. Jim was no different. he wrote some good stuff and some awful stuff. This Paris Journal is a mixed bag. It has some interesting prose as well as a lot that looks pretty childish. It would be nice for someone who is well versed in poetry (pardon the pun) to comment on Jim's writings here. There are a few more pages yet and I will finish it off in the next couple of weeks.
|
|
|
Post by TheWallsScreamedPoetry on Nov 21, 2011 18:10:51 GMT
#134  You had to know you had to find out didn't you The living will soon outnumber the legions of the dead "David escaped to the cave of Adullam. His father & his brothers came to him there. Also, every troubled discontented, or indebted young man in Israel became part of his outlaw band. He thius became the leader of about 400 men." Sweet ebulliant fools ugly arms of the Albatross I want to get my hands into The Mts again That's a forest, probably 2 miles from there to there my grandpa used to go fishing there
|
|
|
Post by TheWallsScreamedPoetry on Nov 21, 2011 18:18:47 GMT
 This page is a good example of what I meant in Reply #33. The living will soon outnumber the legions of the deadJim draws a line through 'will soon' and changes completely the meaning. he also mentions The Albatross on this page. If you read the Doug Cameron Interview here you will see Jim mentions it to him. It seems Jim used it to describe the other Doors. ugly arms of the AlbatrossInterview with Doug Cameron Author of Inside The Fire – My Strange Days With The DoorsNow we know Jim left the band before he came to France and we now know they forced a change to their agreement with regards the band name as they did not trust him. Perhaps it is a reference to the band. Who will ever know ### The Cave of Adullam was originally a stronghold referred to in the Old Testament, near the town of Adullam, in which David, already anointed to succeed Saul as king, sought refuge from him. The word "cave" is usually used but "fortress", which has a similar appearance in writing, is used as well. Given that this was a bandits' hideout, it would be reasonable to describe this as a fortified cave. ### The term "Cave of Adullam" is often used by political commentators referring to any small group remote from power but planning to return. The cave is the source of the term Adullamites, which is used generally to refer to groups of political outsiders plotting their comeback or the overthrow of the status quo, especially after recent defeat. ### Sounds like The Doors 
|
|
|
Post by TheWallsScreamedPoetry on Nov 22, 2011 9:48:20 GMT
So much forgotten already So much forgotten So much to forget Jim Morrison PARIS JOURNAL
It is interesting to wonder when in Paris where Jim liked to hang out and write in his notebooks. The DCM will be holding their usual Jim Morrison Walking Tour so anyone who likes that sort of thing might want to get in touch with Kerry Humphrey's on his DCM site.
Ray Manzarek was disgruntled, but he didn't show it "Go on, Jim. Stay in Paris as long as you want. We'll go on working on the mixing of L.A. Woman", he had said to Morrison, when the latter had broken the news about his plans to leave Los Angeles, right in the middle of the final mixing of the new Doors album. This was at the beginning of February 1971. The Doors were in the studio, together with Bruce Botnick, sound technician from Elektra Records, mixing the individual tracks on the 8-track machine for the next album. Jim, who since the Soft Parade album had not much cared for mixing anyway, would rather hang out in his favorite bar, or go fishing with his drinking buddy Babe Hill.
He was bored with life in Los Angeles though, and the memory of his first visit to Paris in 1970 had possibly given rise to his emphasizing, weeks before leaving, that he needed a few months rest in order to write new poems and he thought Paris might well be the perfect place. He mentioned that he wanted to buy an old church in the south of France, do it up and live in it, his own permanent island of peace.
Pamela was enthusiastic about the idea. Jim had told her much about Paris, and she was aching to live in this enchanted, far-away, romantic city, and this was a good chance of course to get Jim away from The Doors and have him all to herself. "The man is a poet", she insisted, "he shouldn't be wasting his time with a rock band!" The Doors knew Pamela's views of course, and were naturally not of the same opinion. They didn't appreciate Pamela's presence at the Doors office very much, either. Jim Morrison's Quiet Days In Paris by Rainer Moddemann
Of course Moddermann was in awe of The Doors then and the tale is contaminated with their viewpoint. Jim was more likely done with The Doors for good not a few months rest. It's unfair on Pamela as well. She had plenty of faults not least she was a junkie but she proved her worth after Jim's death when she stopped the other three selling LMF again. So it was more likely Jim was in Paris to try to write get rid of the booze habit and think about what he was gonna doa fter The Doors. We know he was writing as the Paris Journal is proof along with other pages and notebooks seen in auction most likely stolen by Jim's so calle Paris pals after they found out he was dead and would not be back for stuff he left in their care whilst drunk. He was reportedly doing a screenplay as he had hopes of getting in touch with film people in Paris. Possibly even a memoir on Miami. Maybe even his own story of The Doors. Now would that not have been something.
We know he visited Pere Lachaise, how many times we do not know and Place des Vosges was near his flat and a perfect place to get away and write.
He probably wrote in bars and in the flat itself. How much he wrote is difficult to say as he brought a lot of stuff with him. He wanted to get people interested in HWY and he had his poetry tape from 1969 with him and likely the reels from 1970 as well.
So much of the Paris time is lost in the stories of those he met in Paris who look for attention with grand tales of drinking and drugs. It seems that the Poet was lost in Paris in the summer of 1971. No matter where he went Jim Morrison could never escape Jim Morrison. Sad really !
|
|
|
Post by TheWallsScreamedPoetry on Nov 22, 2011 10:15:43 GMT
#135The hair I buy you is alive Bury me w/ rythm if I die It must have been a big day when the first African decided to leave home base for Europe instead of India The swing wind hushing Red lights blue lights lights of the city all the monstrous apologies worlds forsaken or forgotten loose walls falling Tumbling downinto night. Fast friends, earthly lovers, crash. Sweet sorrow, blackness falling, 50ft rivers of guilt on the spilled roadside. Down into fine, cry down into silence
|
|
|
Post by TheWallsScreamedPoetry on Nov 22, 2011 10:30:23 GMT
 This is an interesting one. Morrison starts to write someone is coming to do you illbut changes his mind and turns it into do you inThere seems to be some bitterness in Jim's writings whilst in Europe and this is understandable because of the way his time with The Doors ended. Perhaps this is another of the many references to his fellow Doors he makes in both song and writing from the end of 1968 onwards. The evidence for the parting of the ways between Jim and The Doors after 1968 is overwhelming and their final betrayal just before he left for Paris must have been a very bitter pill to swallow considering the loyalty he showed them over the years.
|
|
|
Post by TheWallsScreamedPoetry on Nov 23, 2011 10:47:28 GMT
#136The night of the abortion she dreamed of a blood-red sea of embryos, crying to her yesterday the burned the schoolyard tore down the flag & ruined the lawn calm electric crackle crackle-choir-T.V. fine fawns fled her arms He woke her Translations of the divine in all languages. The BluesThe records get you high, in armies, on swift channels The new dreamer will sing to the mind w/ thoughts unclutched by speech Pirate mind stations. Las Vegas T.V. midnite showings  Again we see how he changes the emphasis of what he wrote at the stroke of a pen. She woke up becomes He woke her
|
|
|
Post by TheWallsScreamedPoetry on Nov 23, 2011 11:09:10 GMT
There is no doubt that a good proportion of Paris Journal is rambling tripe. Some of it would embarrass a schoolkid. Morrison seemed to be getting fits of melancholia and was obviously depressed as well as bitter regarding The Doors, which was understandable considering the treachery of his three band mates, and sought solace in drink. We know this from those who met him in Paris.
Some of this reminds me of John Doe (Kevin Spacey) in the film Seven spewing out rambling thoughts about nothing in particular.
This is not a criticism as such as I am sure many poets did similar things before collating their work into a form that warranted attention. What we are left with is raw Morrison sitting down throwing well thought out as well as random thoughts onto a page.
From this volume we can get a sense of the mood of the Poet in his last weeks.
The Doors had left a scar on his demeanour. The way it had ended on both a high and a low. The LAW album would receive warm appreciation even if it did not put the band back on 1967 proportions it was a triumph simply by the fact it even existed. But his leaving and the reaction of his band mates must have been awkward for him. Basically being accused of being untrustworthy by a bunch of back stabbing former friends would surely have hurt. Considering the loyalty he had shown the band in his time with them.
He had come to Europe to find something new for himself but his past was always present.
Escaping his self made image was always his biggest challenge and this surely is reflected in the pages of his Paris notebooks.
What he could have made of them if given a chance to edit and reflect on what he had written we can only guess.
There is some of his written work that borders on, if not actually is, profound. Morrison had a gift with words.
Many argue that to release material such as this is wrong as it is not finished. But it is exactly that rawness which sometimes resonates with the reader. It is a question that will always cause fans division. Sadly it is all we have to go on. This Paris Notebook whether it was bequeathed or simply stolen is a rare glimpse into the mind of the Poet Morrison. It is not always easy reading and sometimes the reader may squirm at the banality of some of it. But it has some stunning moments as well. Morrison was by no means a great Poet but he did have a spark of greatness that given time might have produced something that would have been remembered for millenia.
|
|
|
Post by TheWallsScreamedPoetry on Nov 23, 2011 11:11:56 GMT
#137 The American Night a monument to death, dream sleep, & dankness. Bloody sad erotic mystery Why does the Negro own the night? all things fall together Hiroshima. Boat trip to the cave of bones I will laugh! said the cow. Christmas is a season when the weight of the world falls like snow. Kites in a field A burst plane in the Texas night Too many cars & damaged freeways. Highways of the mind. The sweetness of a music kiss.
|
|
|
Post by TheWallsScreamedPoetry on Nov 24, 2011 10:11:56 GMT
#138
Homebase wilderness round-up Insanity sweepstakes The Race Track
I think I was once I think we were
your milk is my wine, my silk is your shine
slight vacuous change from Their Television Universe Weekly dose white tantalizing view
Movie Queen peppermint downer prickly pear Grand piano
Main Street Broadway Bright Hurray magnificent.
#139
green bottle, o bottle green release your secrets slowly
I am more than results madame, I am Bourbon
They need a lot of music to atone for their sins against the great gods of disorder
Plug your soul into the wetern night
stoop for that gree, you lusty you
Something to bow down to. But no a dialog is a dance change partners change faces your position rests on poetry
How lucky we are
|
|