Post by TheWallsScreamedPoetry on Jan 12, 2005 13:12:43 GMT
In this world of disposable pop stars whose career longevity rides on the whims of self-important programmers at MTV, it's an incredible treat to play host to a bona fide living legend. Doors guitarist Robby Krieger, he of "Light My Fire" fame, certainly lives up to that title.
Though Doors lead singer Jim Morrison died under mysterious circumstances nearly three decades ago, the band's influence still burns as bright today as it did in 1968. Krieger's anecdotes about Morrison and his bandmates ring with immediacy and drama, especially for LAUNCH executive editor and Miami native Dave DiMartino, who actually was in attendance at the infamous gig where Morrison allegedly "whipped it out." When someone like Krieger enters the room, it's one of those scenarios where you realize you're dealing with a guy who really experienced it, not someone who's written a book about it, made a film about it, or compiled a boxed set to reflect it.
Actually, Krieger did appear on LAUNCH on CD-ROM to discuss the new Doors box, The Complete Studio Recordings, as well as play a fine solo performance on electric guitar. Video excerpts of the conversation can be viewed in Issue No. 34 of LAUNCH on CD-ROM; an exclusive live performance "Spanish Caravan" can also be viewed on the same disc.
You were just noodling on guitar and that leads me to ask, how did you write "Spanish Caravan"?
Robby Krieger : I started playing flamenco music before the Doors; it was the first kind of guitar music I ever played. About six months or a year before the Doors I started playing electric guitar, so I kind of put away the flamenco guitar, but I still liked to play it and I was looking for a way to get it into the Doors repertoire. I remembered this one song that everyone learns when they play flamenco, [so] I took that, changed it a little, bit, figured out a chorus and verse, and that's how it came about.
Why in your mind has the popularity of the Doors maintained so long and never slacked off?
Robby Krieger : I guess it must be that the music still holds up, you know? When you hear it on the radio or play it in your car, it still sounds good. That's really the only true test, I think: because when kids hear it, they like it. Even young kids. I thought at first, this must be parents turning their kids on to the Doors and stuff, but it's not that at all. I talk to a lot of young kids; 13-year-olds just hear it on the radio or at someone's house and they dig it. We put a great deal of effort into recording things and--not that we knew they would last a long time or anything--but we tried to make them as good as we could, using as few gimmicks as we could when we recorded, and I think that's the reason.
Of all the albums the Doors recorded, which holds up the best in your opinion?
Robby Krieger : I can't answer that, because I'll listen to one and think that's the best, then I listen to another and think that one's the best. Obviously, the first one, everybody loves the first album, and I particularly like the last album, L.A.Woman. I like Strange Days a lot, and sometimes I like Soft Parade. They all have something good-- not to say one's the best. One reason you can say the first one is the best is because we'd played those songs for two years, every night, so all we had to do to record was turn on the tape machine, and that to me is the best way to make an album.
Since the music has survived the test of time, can you cite band's major contribution to rock 'n' roll?
Robby Krieger : That may still have to be answered later. I think people still have not figured out the Doors or gotten as much out of them as they could. Because there are so many of those songs that people don't hear that much or that people have yet to discover on some of the albums. I think it's the depth of material that people haven't even really realized yet.
Most people think that Jim Morrison was the sole songwriter. What is your perception of your role as songwriter in the band?
Robby Krieger : Well, at first Jim was the songwriter, you know, and I had written maybe one or two songs in my life before that. But the thing was, we didn't really have much material, we had eight or 10 songs--this was before we really had gotten started. Jim mentioned, "Why don't you guys write something, why am I the only guy writing here?" I was like, "All right, I'll try. What the hell, right?" So I went home and "Light My Fire" was the first one, and it's been all downhill ever since. I was not the most prolific of songwriters; it was really grinding to write a song for me. It was like, one every three months, you know? But I liked doing it and Jim was really great about doing my songs. No matter how silly or ridiculous, he would always take a stab at it. I tried to write like he did because I wanted the songs to fit in, so I tried to write about universal themes like he did. When I first started doing "Light My Fire," I did it about fire, because fire was one of the four elements--earth, air, fire, water. I also wrote quite a few water songs, as you might know.
So many books have been written about the Doors and the Oliver Stone movie The Doors came out a several years ago. In your opinion, has the media "gotten it right" with regards to the Doors over the years?
Robby Krieger : Pretty much people's opinions are based somewhere between the movie and the books: mainly No One Here Gets Out Alive, which Jerry Hopkins and Dan Sugerman wrote. The truth lies somewhere right-field of those things. You had to have been there--that's the whole deal. I'm afraid no one will ever really know how it was, but that might be okay.
Though Doors lead singer Jim Morrison died under mysterious circumstances nearly three decades ago, the band's influence still burns as bright today as it did in 1968. Krieger's anecdotes about Morrison and his bandmates ring with immediacy and drama, especially for LAUNCH executive editor and Miami native Dave DiMartino, who actually was in attendance at the infamous gig where Morrison allegedly "whipped it out." When someone like Krieger enters the room, it's one of those scenarios where you realize you're dealing with a guy who really experienced it, not someone who's written a book about it, made a film about it, or compiled a boxed set to reflect it.
Actually, Krieger did appear on LAUNCH on CD-ROM to discuss the new Doors box, The Complete Studio Recordings, as well as play a fine solo performance on electric guitar. Video excerpts of the conversation can be viewed in Issue No. 34 of LAUNCH on CD-ROM; an exclusive live performance "Spanish Caravan" can also be viewed on the same disc.
You were just noodling on guitar and that leads me to ask, how did you write "Spanish Caravan"?
Robby Krieger : I started playing flamenco music before the Doors; it was the first kind of guitar music I ever played. About six months or a year before the Doors I started playing electric guitar, so I kind of put away the flamenco guitar, but I still liked to play it and I was looking for a way to get it into the Doors repertoire. I remembered this one song that everyone learns when they play flamenco, [so] I took that, changed it a little, bit, figured out a chorus and verse, and that's how it came about.
Why in your mind has the popularity of the Doors maintained so long and never slacked off?
Robby Krieger : I guess it must be that the music still holds up, you know? When you hear it on the radio or play it in your car, it still sounds good. That's really the only true test, I think: because when kids hear it, they like it. Even young kids. I thought at first, this must be parents turning their kids on to the Doors and stuff, but it's not that at all. I talk to a lot of young kids; 13-year-olds just hear it on the radio or at someone's house and they dig it. We put a great deal of effort into recording things and--not that we knew they would last a long time or anything--but we tried to make them as good as we could, using as few gimmicks as we could when we recorded, and I think that's the reason.
Of all the albums the Doors recorded, which holds up the best in your opinion?
Robby Krieger : I can't answer that, because I'll listen to one and think that's the best, then I listen to another and think that one's the best. Obviously, the first one, everybody loves the first album, and I particularly like the last album, L.A.Woman. I like Strange Days a lot, and sometimes I like Soft Parade. They all have something good-- not to say one's the best. One reason you can say the first one is the best is because we'd played those songs for two years, every night, so all we had to do to record was turn on the tape machine, and that to me is the best way to make an album.
Since the music has survived the test of time, can you cite band's major contribution to rock 'n' roll?
Robby Krieger : That may still have to be answered later. I think people still have not figured out the Doors or gotten as much out of them as they could. Because there are so many of those songs that people don't hear that much or that people have yet to discover on some of the albums. I think it's the depth of material that people haven't even really realized yet.
Most people think that Jim Morrison was the sole songwriter. What is your perception of your role as songwriter in the band?
Robby Krieger : Well, at first Jim was the songwriter, you know, and I had written maybe one or two songs in my life before that. But the thing was, we didn't really have much material, we had eight or 10 songs--this was before we really had gotten started. Jim mentioned, "Why don't you guys write something, why am I the only guy writing here?" I was like, "All right, I'll try. What the hell, right?" So I went home and "Light My Fire" was the first one, and it's been all downhill ever since. I was not the most prolific of songwriters; it was really grinding to write a song for me. It was like, one every three months, you know? But I liked doing it and Jim was really great about doing my songs. No matter how silly or ridiculous, he would always take a stab at it. I tried to write like he did because I wanted the songs to fit in, so I tried to write about universal themes like he did. When I first started doing "Light My Fire," I did it about fire, because fire was one of the four elements--earth, air, fire, water. I also wrote quite a few water songs, as you might know.
So many books have been written about the Doors and the Oliver Stone movie The Doors came out a several years ago. In your opinion, has the media "gotten it right" with regards to the Doors over the years?
Robby Krieger : Pretty much people's opinions are based somewhere between the movie and the books: mainly No One Here Gets Out Alive, which Jerry Hopkins and Dan Sugerman wrote. The truth lies somewhere right-field of those things. You had to have been there--that's the whole deal. I'm afraid no one will ever really know how it was, but that might be okay.