Post by TheWallsScreamedPoetry on Oct 13, 2022 11:50:45 GMT
I have a full year of Disc magazine to trawl through, which was one of the prominent music mags of the 60s, and it shows how foolish Elektra were in 1967 when it came to The Doors promotion.
##Also a full year of Melody Maker 1967 so I will contrast MM with Disc and see if Elektra did the same non participation into the UKs #1 music paper.
England was the 2nd biggest record market for pop & rock.
WE were ripe for the picking in 1967, if only Elektra had promoted the band here and toured The Doors in the UK.
Fuck Europe here was the place to be.
It beggars belief that they took until the end of 1968 to show their faces and then in a couple of London concerts.
Singles each week were ten a penny but in July/August when LMF was released in the UK it was #1 in the US and only needed a nudge to emulate that here.
Instead Elektra's promotion up to LMF release consisted in one tiny advert for the album tucked away at the edge of the page and not a scrap of information about who and what the band was.


Celebrity scumbag Jonathan King was the first to mention The Doors from his US column in April.
He did not like them.
Contrast that with Hendrix or The Monkees who were all over a mag like Disc.
Even Love were doing better.
The 1967 tour was dropped and Elektra seemed to have already given up on Europe.
Touring was what made a band a hit not some tiny mention in the corner of a music paper.
Places like Manchester, Newcastle and Croydon where a band paid their dues.
They knew this from 1966 in the US.
But not even an advert for LMF as far as I can see.
Yes I may have missed it BUT I was looking for it (twice) so how were people with no knowledge of LMF be drawn in to check it out?

The Doors #1 in the US.

The tour that never was. Bloody criminal.
The Doors could have blown us away with the debut LP and their newest effort Strange Days.
Giving bands like Floyd or Procul Harum a run for their money.
Instead we got a tour in support of the much weaker WFTS LP.
If a Doors tour had managed a mention (tiny as it was) in Disc in 1967 then it was seriously on the cards.
They were mental to drop it when it could have broken the band worldwide. Instead they stayed in the more insular comfort zone of North America.
Yes one foray into Mexico but that was hardly a world tour and how many people outside the Americas knew about it.
Probably none.
And England was the 2nd biggest record market for pop & rock.
WE were ripe for the picking if only Elektra had promoted the band here and toured The Doors in the UK.
Fuck Europe here was the place to be.
It beggars belief that they took until the end of 1968 to show their faces and then in a couple of London concerts.

This from August 5th 1967 says it all when it comes to the LMF single release
This bombshell from August 5th is absolutely shameful for a supposed record company..
Forget the review (which isn't even a proper one) isn't brimming with love & affection.
She says it was 2 weeks before she got a copy.
TWO fucking weeks.
In the pop/rock world of 1967 that was a lifetime.
Who was Elektra's man/woman in the UK as this was a disgrace.
It wasn't the reviewers job to go out and buy the bloody thing.
Someone from the record company should have been knocking on the doors of music papers/magazine and radio staions up and down the country with a couple of copies and some promo shit.
What a bloody farce and no wonder LMF did sod all here.
#1 in America but totally fuck all here.
The mind boggles how useless the record company were here.
At the August mark for Disc and so far a couple of one line mentions and a couple of small photos.
Not ONE feature or article and nothing in the way of an interview with a Door.
The #1 single in the USA and LMF gets THIS as a review in one of the biggest music papers in Britain.
Elektra should have been ensuring that LMF got a proper review, the week of its release, by Disc's most sympathetic reviewer and pestering the shit out of radio stations around the country with free copies and profiles of the band.
How do I know they didn't? I don't but if they did they did a piss poor job of it.

##Also a full year of Melody Maker 1967 so I will contrast MM with Disc and see if Elektra did the same non participation into the UKs #1 music paper.
England was the 2nd biggest record market for pop & rock.
WE were ripe for the picking in 1967, if only Elektra had promoted the band here and toured The Doors in the UK.
Fuck Europe here was the place to be.
It beggars belief that they took until the end of 1968 to show their faces and then in a couple of London concerts.
Singles each week were ten a penny but in July/August when LMF was released in the UK it was #1 in the US and only needed a nudge to emulate that here.
Instead Elektra's promotion up to LMF release consisted in one tiny advert for the album tucked away at the edge of the page and not a scrap of information about who and what the band was.


Celebrity scumbag Jonathan King was the first to mention The Doors from his US column in April.
He did not like them.
Contrast that with Hendrix or The Monkees who were all over a mag like Disc.
Even Love were doing better.
The 1967 tour was dropped and Elektra seemed to have already given up on Europe.
Touring was what made a band a hit not some tiny mention in the corner of a music paper.
Places like Manchester, Newcastle and Croydon where a band paid their dues.
They knew this from 1966 in the US.
But not even an advert for LMF as far as I can see.
Yes I may have missed it BUT I was looking for it (twice) so how were people with no knowledge of LMF be drawn in to check it out?

The Doors #1 in the US.

The tour that never was. Bloody criminal.
The Doors could have blown us away with the debut LP and their newest effort Strange Days.
Giving bands like Floyd or Procul Harum a run for their money.
Instead we got a tour in support of the much weaker WFTS LP.
If a Doors tour had managed a mention (tiny as it was) in Disc in 1967 then it was seriously on the cards.
They were mental to drop it when it could have broken the band worldwide. Instead they stayed in the more insular comfort zone of North America.
Yes one foray into Mexico but that was hardly a world tour and how many people outside the Americas knew about it.
Probably none.
And England was the 2nd biggest record market for pop & rock.
WE were ripe for the picking if only Elektra had promoted the band here and toured The Doors in the UK.
Fuck Europe here was the place to be.
It beggars belief that they took until the end of 1968 to show their faces and then in a couple of London concerts.

This from August 5th 1967 says it all when it comes to the LMF single release
This bombshell from August 5th is absolutely shameful for a supposed record company..
Forget the review (which isn't even a proper one) isn't brimming with love & affection.
She says it was 2 weeks before she got a copy.
TWO fucking weeks.
In the pop/rock world of 1967 that was a lifetime.
Who was Elektra's man/woman in the UK as this was a disgrace.
It wasn't the reviewers job to go out and buy the bloody thing.
Someone from the record company should have been knocking on the doors of music papers/magazine and radio staions up and down the country with a couple of copies and some promo shit.
What a bloody farce and no wonder LMF did sod all here.
#1 in America but totally fuck all here.
The mind boggles how useless the record company were here.
At the August mark for Disc and so far a couple of one line mentions and a couple of small photos.
Not ONE feature or article and nothing in the way of an interview with a Door.
The #1 single in the USA and LMF gets THIS as a review in one of the biggest music papers in Britain.
Elektra should have been ensuring that LMF got a proper review, the week of its release, by Disc's most sympathetic reviewer and pestering the shit out of radio stations around the country with free copies and profiles of the band.
How do I know they didn't? I don't but if they did they did a piss poor job of it.
